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LA WEEKLY REVIEW BY SCOTT FOUNDAS

CalArts grad David Fenster's feature debut tells the loopy story of a depressed businessman who inexplicably finds himself in the middle of the desert, gets nearly all his clothes stolen by a passer-by and eventually installs himself as the overseer of an abandoned junkyard paradise. But the movie is less about plot than it is about a feeling - specifically, an evocation of the desolate road poetry remembered from the best films of Wim Wenders and Jim Jarmusch. Fenster seems to say that you can feel as alone in the city as you can in the desert, and he has a pretty original way of saying it.